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Cicilia and Clorinda : ウィキペディア英語版
Cicilia and Clorinda

''Cicilia and Clorinda, or Love in Arms'' is a 17th-century closet drama, a two-part, ten-Act tragicomedy by Thomas Killigrew. The work was composed in Italy c. 1650–51, and first published in 1664.〔Alfred Harbage, ''Thomas Killigrew, Cavalier Dramatist 1612–83'', Philadelphia, University of Pennsylvania Press, 1930.〕
==Genre and source==
Like the majority of Killigrew's plays — stage plays or closet dramas — ''Cicilia and Clorinda'' is cast in the mode of tragicomedy, with its highly colored elements of romance, and limited realism. The play may be more interpreted and judged in the romance tradition than in the dramatic; the work is "a means of providing the matter of romance in an alternative form."〔Dale B. J. Randall, ''Winter Fruit: English Drama 1642–1660'', Lexington, KY, University Press of Kentucky, p. 343.〕
Killigrew employed the closet-drama form to work with material that would have met strong resistance on the public stage of his time. ''Cicilia and Clorinda'' is in part an exploration of the idea of the Amazon or "warrior woman" (he coined the term "Heroickess").〔Karen L. Raber, "Warrior Women in the Plays of Cavendish and Killigrew," ''Studies in English Literature, 1500–1900'', Vol. 40 No. 3 (Summer 2000), pp. 413-33.〕 When Killigrew wrote the work, women were not yet allowed to appear onstage in England.
In writing the work, Killigrew was influenced by ''Artamène, ou Le Grand Cyrus'', by Madeleine and Georges de Scudéry.〔Harbage, pp. 204-5.〕 His characters Amadeo, Lucius, and Manlius are versions of the French novel's Aglatidas, Artabes, and Megabises (Part 1, Book 3).

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